Opinions
May 25th, 2026

The Theatre of Anti-Corruption: When the Big Thief Hunts the Small Thief in Uganda

Written By | Evan Sande Ndahura

In Uganda, corruption no longer shocks the public. What shocks citizens is when anyone is actually punished for it. The ordinary Ugandan has watched the same movie for decades: dramatic arrests, televised investigations, public outrage, parliamentary probes, confiscated properties, endless headlines, and finally silence. The accused either return to public office, walk freely into luxurious vehicles after court appearances, or are "cleared" by the same institutions that had earlier paraded them before the nation as symbols of grand corruption.

This is why many Ugandans no longer believe that the country is fighting corruption. What they see instead is a sophisticated internal competition among the powerful — a system where one thief is deployed to hunt another smaller thief, not for justice, but for control, loyalty, political survival, and redistribution of influence.

Corruption in Uganda has evolved beyond theft of public funds. It has become a political instrument, a tool of punishment, reward, intimidation, and selective accountability.

The question today is no longer whether corruption exists. The real question is: who is allowed to steal, how much, and under whose protection?

Over the years, Uganda has witnessed some of the largest scandals in East Africa. From the infamous Global Fund scandal, the CHOGM scandals, the Office of the Prime Minister theft involving funds meant for northern Uganda recovery, to the more recent Karamoja iron sheets scandal, the pattern has remained painfully identical. Public money disappears. Investigations begin with noise and anger. Names of ministers and high-ranking officials dominate headlines. Parliament promises accountability. Citizens demand justice. Then, slowly, the storm dies.

In the Karamoja iron sheets scandal, ministers and senior government officials were accused of diverting iron sheets meant for vulnerable communities in Karamoja — one of the poorest regions in Uganda. Some iron sheets were allegedly found in private homes and farms of top leaders. The public watched in disbelief as photographs and inventories circulated across media platforms. There was national outrage because the scandal represented more than theft; it symbolized the exploitation of poverty itself.

Yet as months passed, the intensity faded. Some officials were prosecuted while others appeared protected. Some cases stalled. Some accused individuals maintained influential positions. The public was left asking whether the purpose of the investigations had been justice or merely political theatre to calm public anger.

The same pattern has emerged in many scandals involving officials close to power. When accusations first arise, state agencies move with speed and drama. Security operatives appear. Documents are leaked. The media is fed with sensational details. Citizens begin celebrating, believing that finally corruption is being defeated.

Then comes the second phase — silence, delay, technicalities, weak prosecutions, disappearing evidence, or sudden declarations that investigators found no wrongdoing.

This cycle has taught Ugandans a dangerous lesson: corruption cases are not necessarily determined by evidence, but by political calculations.

The recent circulation of reports and discussions surrounding large sums of cash allegedly linked to influential figures such as Speaker Anita Among and Justice Namere, the Woman Member of Parliament for Masaka, once again exposed the psychological pattern of anti-corruption politics in Uganda. Public excitement rose rapidly. Citizens began imagining that perhaps this time there would be serious accountability. Social media exploded with debate. Radio stations discussed morality, abuse of office, and unexplained wealth.

But as has happened before, the national mood slowly began cooling down. The intensity of state action weakened. Public attention shifted elsewhere. Ugandans once again found themselves trapped between suspicion and helplessness.
This repeated cycle creates a dangerous consequence for society: citizens lose faith in institutions.

When anti-corruption institutions appear selective, they cease being instruments of justice and instead become instruments of political management. The Inspectorate of Government, Parliament, police investigations, and even courts begin to look less like independent guardians of public resources and more like actors in a carefully managed performance.

The greatest tragedy is not merely the loss of money. Nations can recover stolen resources. The greater tragedy is the destruction of public trust.

A society that no longer believes in accountability slowly normalizes theft. Young people grow up believing that success comes not from hard work or innovation but from proximity to power. Public service turns into a marketplace for accumulation. Elections become investments for future looting. Institutions lose moral authority. Patriotism dies quietly. In such an environment, corruption becomes self-reproducing.

The poor citizen selling tomatoes in Owino market is arrested immediately for failing to pay a small tax or operating without a license, while individuals accused of stealing billions negotiate freedom through influence, connections, and political convenience. This contradiction sends a clear message: justice in Uganda often appears harsher on the weak than on the powerful.

Uganda's anti-corruption struggle also suffers from another paradox. The state frequently uses corruption rhetoric as proof of democracy and accountability. Leaders point to arrests and investigations as evidence that institutions are working. Yet genuine accountability requires consistency, transparency, and independence. Without these, anti-corruption campaigns risk becoming ceremonial rituals designed to create temporary public satisfaction without fundamentally challenging the networks of power behind corruption.

This is why many corruption cases end with "cleaning" officials rather than convicting them. The state cannot fully dismantle systems from which many within the system benefit.

The fight against corruption in Uganda therefore faces a painful contradiction: those expected to fight corruption are often products, beneficiaries, or protectors of the same system. Still, society must not surrender completely to hopelessness.

Citizens must continue demanding transparency, independent institutions, free media, judicial independence, and protection for whistleblowers. Universities, religious institutions, journalists, writers, and civil society must continue exposing contradictions within governance. Silence only strengthens impunity.

Most importantly, Ugandans must stop celebrating arrests before justice is completed. Political drama is not accountability. Confiscation is not always recovery. Investigations are not convictions. And publicity is not reform.
True anti-corruption is not measured by the number of headlines produced, but by whether stolen public resources are genuinely recovered, whether institutions become stronger than individuals, and whether justice applies equally to both the powerful and powerless.

Until then, Uganda may continue witnessing what appears less like a war against corruption and more like a contest within corruption itself — where the bigger thief hunts the smaller thief, not to end theft, but to inherit the table.

About the Writer
Evan Sande Ndahura is a Ugandan political and legal commentator, columnist, poet, and social justice advocate whose writings focus on governance, constitutionalism, democracy, and the political economy of power in Africa. He is widely published on issues of judicial accountability, electoral justice, human rights, and institutional reform, with a particular emphasis on Uganda's political and legal systems. Ndahura writes from a Pan-African critical perspective, interrogating the failures of state institutions and the lived realities of ordinary citizens under entrenched systems of power. He believes that the liberation of Africa will occur through a mighty pen, not the gun.

Torch Media Africa

Published By | Features Editor

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